Crystals fall into shifting landscapes while sunlight dances dizzy lines into our eyes.

Structured in seven parts, each segment considers the impact a transmission beacon relays into its surrounding environment. Watch Tower acknowledges the act of watching through an acute awareness of how form influences perception while also observing the communications and timekeeping properties of the subject.

Looking at the world through the eyes of a visitor, this film focuses on the feeling of being displaced and alone. Finding moments of recognition becomes the goal.

Two friends conquer their fear of heights at the local carnival.

In 2016, I attempted to walk the city limits of Calgary (174 km+), tracing the walk through collected objects, photographs, and video.

Shadows in Blue is an experimental piece that explores subjectivity through imagery of abstracted shadow and light.

Birthday Blues is a short film generated with video collage meant to develop a nontraditional experience of time: the elements of a birthday wish—flour, eggs, frosting, a knife, a match—are layered in time, forming together a fleeting space on which to house a poem of passing.

Lullaby Optic features abstractions generated by moving light through multiple video feedback loops. The result is a catalog of transient electronic forms. Scored with sounds from NASA’s archive and circuit-bent toys.

An empty 16mm film projector is photographed and brought into the digital domain. Video acts as a kind of microscope revealing hidden pleasures.

Decay is an abstract film portraying the decay of the human mind through hardships.

Man vs. Nature.

An investigation into how image presentation and preservation affect basic human perception in the digital age.